https://www.amazon.com/Mapping-Paradise-History-Heaven-Earth/dp/0226735591/ref=ecoethicA/
Throughout history, humans have searched for paradise. When early Christians adopted the Hebrew Bible, and with it the story of Genesis, the Garden of Eden became an idyllic habitat for all mankind. Medieval Christians believed this paradise was a place on earth, different from this world and yet part of it, situated in real geography and indicated on maps. From the Renaissance through the Enlightenment, the mapping of paradise validated the authority of holy scripture and supported Christian faith. But from the early nineteenth century onwards, the question of the exact location of paradise was left not to theologians but to the layman. And at the beginning of the twenty-first century, there is still no end to the stream of theories on the location of the former Garden of Eden.
Mapping Paradise is a history of the cartography of paradise that journeys from the beginning of Christianity to the present day. Instead of dismissing the medieval belief in a paradise on earth as a picturesque legend and the cartography of paradise as an example of the period’s many superstitions, Alessandro Scafi explores the intellectual conditions that made the medieval mapping of paradise possible. The challenge for mapmakers, Scafi argues, was to make visible a place that was geographically inaccessible and yet real, remote in time and yet still the scene of an essential episode of the history of salvation. Mapping Paradise also accounts for the transformations, in both theological doctrine and cartographical practice, that brought about the decline of the belief in a terrestrial paradise and the emergence of the new historical and regional mapping of the Garden of Eden that began at the time of the Reformation and still continues today.
The first book to show how paradise has been expressed in cartographic form throughout two millennia, Mapping Paradise reveals how the most deeply reflective thoughts about the ultimate destiny of all human life have been molded and remolded, generation by generation.
Review
“Where do you find paradise on a map?…As Alessandro Scafi shows in his erudite history of the Christian effort to map paradise, pre-modern mapmakers focused on spiritual navigation, not the secular kind. They tried to portray time and space in a way that is still beautiful, but can seem baffling. Their maps showed God, history, and human woes and joys, often biblical ones. The Garden of Eden was a real place, just as Adam was a real man…. Mr Scafi tells this story well from the sublime start to the ridiculous end, with spectacular flourishes of art history and confident quotes from Latin, Greek and Hebrew.”
The Economist Published On: 2006-06-29
“Mapping Paradise aspires to be nothing less than a history of earthly paradise, starting with the early Christian era and continuing to the present day. Extensively illustrated, it is an atlas of the imagination, a guide to a landscape that remains just the slightest bit out of reach….Juxtaposing medieval illuminated manuscripts with satellite imagery and cartographic treasures—one map of the world, drawn in 1086, uses portraits of the Apostles to signify the territories they evangelized—Mapping Paradise is, in the end, a record not of place but of desire. Or, as Scafi puts it: ‘Whether the approach is openly religious or not, mankind still longs for a paradise on earth.'”
David Ulin ― Los Angeles Times Published On: 2006-08-20
“‘A map of the world that does not include utopia is not even worth glancing at,” quipped Oscar Wilde. Even so, scholars who study the medieval habit of charting the Garden of Eden as if it were an actual place have traditionally approached their subject with ‘a condescending smirk,’ writes Alessandro Scafi, who promises a ‘fresh look’ at the matter. His book is richer in text than images, though the images are the highlight, and they are well presented. An ancient map rendered on faded parchment—labeled in a cramped script and written in a dead language—can be as incomprehensible to modern viewers as Mapquest directions would be to a Crusader seeking the Holy Land. Mr. Scafi displays originals and, where appropriate, offers close ups and diagrams to help decipher their content. Over the years, cartographers have mapped paradise just about everywhere: most commonly near the Tigris and Euphrates rivers but also in the Far East, sub-Saharan Africa, Armenia, close to the Seychelles and beneath the waves of the Pacific Ocean. Those who depicted it as a kind of walled-off fortress, to signify its inaccessibility, were on to something: The quest to locate heaven on earth has always been doomed.”
John J. Miller ― Wall Street Journal Published On: 2006-08-26
“[A] stunning book…LAvishly illustrated with more than 200 maps, this is a map connoisseur’s dream—paradise, perhaps, on the page.” — Jerry Brotton ― BBC History Published On: 2006-09-01
“Mapping Paradise is itself a masterly map of concepts and images whose logic has been lost with time. . . . Scafi’s immensely learned and minutely accurate book . . . opens a treasury of lost learning. Historians and art historians, students of literature and religion, and specialists in exegesis and its crooked histories will all have much to learn from him. . . . Mapping Paradise does honor to its author and his teachers, as well as to the generations of scribes and miniaturists, exegetes and theologians, whose colorful world it charts with such lucidity and insight.” — Anthony Grafton ― New Republic
“[This] is one of those works one hates to see come to a conclusion, rich as it is in content and lavish in illustration. I consider it a tour de force of intellectual history.” — Lawrence S. Cunningham ― Commonweal
“Mapping Paradise brings an important theoretical and empirical contribution to contemporary scholarship in the history of cartography, but it is also particularly timely within broader contemporary debates fuelled by a revived interest in the geography of beliefs and the sacred. Besides geographers and historians of cartography, Scafi’s book . . . will interest a broader audience of theologians, art historians, and medievalists. . . . An enjoyable book and a great scholarly achievement deserving special interdisciplinary attention.”
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